PAINTED COLLAGED PSEUDOMORPHISM 2
2011
Oil on canvas
24 x 24 inches (61 x 61 cm)

A painting of superimposed Zirchov VII, 1918 by Lyonel Feininger and Self-portrait VII, 1922 by Stanisław Kubicki

PAINTED COLLAGED PSEUDOMORPHISM 1
2010
Oil on canvas
24 x 24 inches (61 x 61 cm)

A painting of superimposed Counter-Composition V, 1924 by Theo van Doesburg and Composition, 1929-30 by Henryk Stażewski

RECONSTRUCTION / CONSTRUCTION
2010
Oil on canvas
26 x 17 inches (66 x 43 cm)

Based on an advertisement in Time Out Magazine for an exhibition by the artist Carissa Rodriguez in New York in 2010, in which Rodriguez used herself as a model

CONSTRUCTION / DECONSTRUCTION
2010
Oil on canvas
26 x 17 inches (66 x 43 cm)

Based on a cover of Reconstructing Modernism: Art in New York, Paris and Montreal (The MIT Press, 1990) featuring Cecil Beaton’s photo of a model in front of a Jackson Pollock’s painting for American Fashion: The New Soft Look (Vogue, 1951)

THE NEW HARD LOOK
2019
Archival inkjet print, acrylic and plywood
6 x 6 ½ x ½ inches (16 x 17 x 1 cm)

Reproduction of Anna Ostoya’s painting Construction/Deconstruction (2010), derived from a Cecil Beaton photo of a model in front of a Jackson Pollock painting for American Fashion: The New Soft Look (Vogue 1951) / Reproductions of Ostoya’s painting Reconstruction/Construction (2010), derived from an advertisement in Time Out for an exhibition by the artist Carissa Rodriguez in New York in 2010, in which Rodriguez used herself as a model



UNTITLED (SCROLL)
2019
Archival inkjet print, acrylic and plywood
5 x 18 x 2/5 inches (13 x 46 x 1 cm)

Based on works from Autopis. Notes, Copies and Masterpieces, 2009 – 2019, a series of twenty-six photomontages and objects composed mainly in a pseudomorphic method of pairing visually similar images from different contexts

PSEUDOMORPHISM OF GESTURES AND SYMBOLS
2019
Archival inkjet print, acrylic and plywood
5 x 4 ½ x ½ inches (13 x 11 x 1.5) cm

Based on the photograph Georgia O'Keeffe - Hands and Thimble (1919) by Alfred Stieglitz

PSEUDOMORPHISM OF MULTIPLE PORTRAITS
2019
Archival inkjet print, acrylic and plywood
4 x 4 x 1 inches (11 x 11.5 x 3 cm)

Based on Multiple Self-Portrait by Wacław Szpakowski (1912), Lvov and on Five-Way Portrait by Marcel Duchamp (1917), New York City

PSEUDOMORPHISM OF ART AND LIFE RELATIONS I
2011
Archival inkjet print, acrylic and plywood
6 ¼ x 7 ¾ x ½ inches (16 x 20 x 1.5 cm)

Lonely Metropolitan (1932) by Herbert Bayer, detail / Victor Jara’s LP cover Pongo en tus manos abiertas (1969) with a photo by Mario Guillard, detail

FEMALE PSEUDOMORPHISM II
2011
Archival inkjet print, acrylic and plywood
7 x 5 x 1 ½ inches (17.5 × 13 × 4 cm)

Based on photographs of performance artists Emmy Hennings (1885-1948) and Emma Hedditch (b.1972)


ANTHROPOMORPHIC VISUAL PSEUDOMORPHISM
2010
Archival inkjet print, acrylic and plywood
5 x 7 ½ x 5 inches (13 × 19 × 13 cm)

Still from Un Chien Andalou (1929) by Luis Buñuel and Salvador Dalí / Untitled (Desire) (1988) by David Wojnarowicz

PSEUDOMORPHISM OF ART AND LIFE RELATIONS II
Archival inkjet print, acrylic and plywood
2011
6 ¼ x 7 ¾ x ½ inches (16 x 20 x 1.5 cm)

Reproduction of Lonely Metropolitan (1932) by Herbert Bayer / Photo by Mario Guillard from Victor Jara’s LP cover Pongo en tus manos abiertas (1969)

TRIPLE PSEUDOMORPHISM OF IMMATERIAL EMINENCE
2010
Archival inkjet print, acrylic and plywood
3 x 11 x ½ inches (8 x 28 x 1.5 cm)

American conceptual artists / British rock band The Beatles / Polish contextual artists

MIXED PSEUDOMORPHISM OF A TRUE/FALSE CRY
2010
Archival inkjet print, acrylic and plywood
5 x 7 ¾ x 1 inches(13 x 20 x 3 cm)

Based on Étude (1931), a photograph by Germaine Krull, showing a model in tears, and I’m Too Sad To Tell You (1970), a photograph by Bas Jan Ader, depicting the artist crying

PSEUDOMORPHISM IN ACTION
2010
Archival inkjet print, acrylic and plywood
7 ¾ x 9 ¾ x 1 ½ inches (20 x 25 x 4 cm)

Jackson Pollock, (1912–1956) American painter, nicknamed 'Jack the Dripper' / Karel Appel (1921–2006) Dutch painter, dubbed 'The Paint Thrower'


UNTITLED (SCROLL)
2011
Archival inkjet print
24 x 85 inches (61 x 216 cm)

Based on reproductions of works from the Autopis series; installation at Silberkuppe, Berlin, 2011

THE TRADITION OF INTENSITY AND FORCE
2010
Archival inkjet print framed
16 × 11 ½ inches (41 × 29 cm)

Based on portraits of leading 20th century avant-garde groups.

THE TRADITION OF ELASTICITY AND ENDURANCE
2011
Archival inkjet print framed
16 × 11 ½ inches (41 × 29 cm)

Based on portraits of 20th century avant-garde artists.

PSEUDOMORPHISM OF A POLITICAL EVENT II
2011
Archival inkjet print, acrylic and plywood
4 ½ x 6 ¼ x 5 inches (11 × 16 × 13 cm)

Joint action of the FNV unions photographed by Henk Tukker (Utrecht 1983) / Minors’ strike at “Sosnowiec” coal mine photographed by Tadeusz Kluba (Sosnowiec 1981)

PSEUDOMORPHISM OF A POLITICAL EVENT I
2010
Archival inkjet print, acrylic and MDF
6 x 7 x 5 inches (16 × 18 × 13 cm

Students from the New York University protesting against the Vietnam War (April, 1968) / Students from the University of Warsaw protesting against censorship in March 1968 (March 1968)


RADICAL PSEUDOMORPHISM
2010
Archival inkjet print, acrylic and plywood
6 ¼ x 8 x 4 inches (16 x 21 x 10 cm)

Polish painter Wilhelm Sasna wearing charcoal makeup in an advertisement for the fashion designer Marc Jacobs (2006) / Portrait of the Russian artist Natalia Goncharova, who wore eccentric makeup in public spaces as a provocation (1910)

VISUAL PSEUDOMORPHISM IN COLOR
2010
Archival inkjet print, acrylic and MDF
12 x 8 ½ x 8 ½ inches (30 x 22 x 22 cm)

Based on a reproduction of Do It Yourself (Landscape) by Andy Warhol, 1962 and Metaphysics by Jarosław Kozłowski 1972)

inside VISUAL PSEUDOMORPHISM IN COLOR
2010
Archival inkjet print, acrylic and MDF
12 x 8 ½ x 8 ½ inches (30 x 22 x 22 cm)

Inside Visual Pseudomorphism in Color: Metaphysics by Jarosław Kozłowski (1972)

VISUAL PSEUDOMORPHISM IN MONOCHROME
2010
Archival inkjet print, acrylic and MDF
23 ½ x 15 ¾ x ¾ inches (60 × 40 x 2 cm)

Based on Robert Morris’s installation at Green Gallery (New York, 1964) and Environment by Zbigniew Gostomski at Foksal Gallery (Warsaw 1967)

COMPOSITION OF INFORMATION
2010
Archival inkjet print on paper framed
7 x 5 in / 18 x 13 cm

Textual collage based on Composition of Space: Calculations of Spatio-Temporal Rhythm by Katarzyna Kobro, Władysław Strzemiński, Łódź 1931. a.r. Nr 2

FEMALE PSEUDOMORPHISM I
2010
Archival inkjet print, acrylic and MDF
5 x 14 ½ x 3 ½ inches (13 x 37 x 9 cm)

Jacqueline Lee Bouvier Kennedy Onassis (1929–1994), editor and fashion icon, wife of US President John F. Kennedy; and Nina Andrycz (1915–2014), actress and fashion icon, wife of Józef Cyrankiewicz, Prime Minister of Poland / Brigitte Bardot (1934–), French actress, singer, sex symbol and animal- rights activist; and Kalina Jedrusik (1931–1991), Polish actress, singer, sex symbol and cat lover / Eva Hesse (1936–1970), German-born US artist who fled the Nazis as a child, known for her sculptures in synthetic materials, died from a tumor; and Alina Szapocznikow (1926–1973), Polish artist who survived Nazi concentration camps, known for her sculptures in synthetic materials, died from a tumor

ADAD GOOD SPIRITS
2010
Archival inkjet print, MDF, acrylic and paper cup
12 x 8 ½ x 16 inches (30 x 22 x 16 cm)

Series: Autopis. Notes, Copies and Masterpieces, 2009 – 2019, twenty-six photomontages and objects composed mainly in a pseudomorphic method of pairing visually similar images from different contexts



UNTITLED (TODAY)
2010
Vinyl on glass
Dimensions variable

Series: Autopis. Notes, Copies and Masterpieces, 2009 – 2019, twenty-six photomontages and objects composed mainly in a pseudomorphic method of pairing visually similar images from different contexts

COPY ERRORS
2010
Photocopy, acrylic and publication Galeria Foksal 1966-1994 framed
12 x 23 ½ x ¾ inches (30 x 60 x 2 cm)

Series: Autopis. Notes, Copies and Masterpieces, 2009 – 2019, twenty-six photomontages and objects composed mainly in a pseudomorphic method of pairing visually similar images from different contexts


PRIMARY STRUCTURE WITH A PLANT (THE PLANT AS A METAPHOR IN GEORGE ORWELL AND OTHER CONTEXTS)
2010
Pot plan, MDF, acrylic and electric mechanism
64 x 21 ½ x 13 ¾ inches (162 × 55 × 35 cm)

Series: Autopis. Notes, Copies and Masterpieces, 2009 – 2019, twenty-six photomontages and objects composed mainly in a pseudomorphic method of pairing visually similar images from different contexts