ANNA OSTOYA

ANNA OSTOYA

  • Exhibitions
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    • J M Z, 2021 – 2024
    • MOTIONS, 2021
    • (UN)MADE (AFTER FRENHOFER), 2017
    • AMERICAN WEST, 2017
    • VIEWS, 2017
    • ALTE SACHLICHKEIT, 2016
    • DEMOS, 2015 – 2016
    • BLUE, RED, YELLOW 2014 – 2015
    • SLAYING, 2014 – 2016
    • TRANSPOSITIONS, 2013 – 2014
    • RIPS. FUTURE WORKS, 2012 – 2013
    • DISCLOSURES, 2011– 2014
    • AUTOPIS, 2009 – 2019
    • LEES, 2011 – 2017
    • WORKS, 2014 – 2016
    • FANTASIA, 2014
    • EXPOSURES, 2011
    • UNTITLED (NON-SPACES), 2011
    • LANDSCAPES AND MONOCHROMES, 2009 – 2010
    • FROM a TO ∞, 2009 – 2010
    • SATURDAY AFTERNOON, 2007 – 2008
    • MORE REAL THAN WHAT WE SEE, 2009
    • THE OBJECT AND THE NON-OBJECTIVE WORLD, 2007 – 2008
  • Bibliography
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THE NEW HARD LOOK
2019
Archival inkjet print, acrylic and plywood
6 x 6 ½ x ½ inches (16 x 17 x 1 cm)

Reproduction of Anna Ostoya’s painting Construction/Deconstruction (2010), derived from a Cecil Beaton photo of a model in front of a Jackson Pollock painting for American Fashion: The New Soft Look (Vogue 1951) / Reproductions of Ostoya’s painting Reconstruction/Construction (2010), derived from an advertisement in Time Out for an exhibition by the artist Carissa Rodriguez in New York in 2010, in which Rodriguez used herself as a model